Across Washington Park and opposite Music
Hall is a mural of a lady, pensive yet inspiring. She is painted with golden
hues, and banners of musical notes wave about her. She is the Golden Muse, the
muse for music.
The Golden Muse |
It makes me
ponder art and function. Jon brought up the question of why we think art is
contemplative. I found the same issue in Nicholas Wolterstorff’s “ Art in
Action”. The Golden Muse is a massive mural on one side of a four story tall
building, situated in an area of town, Over-the-Rhine, which for decades have
been a slum area with daily murders, prostitution, drug trafficking and
hopeless poverty. The area is under
gradual rebuilding, and it is nice to see some of the streets cleaned up. This is a slow process and not altogether
smooth, for the poor and the destructive elements are also gradually removed.
The poor cannot afford to live there any longer. The criminal element finds new
neighbourhoods to exploit.
But
the Golden Muse is a mural takes no place and no sides in the disagreements.
Still, I could not avoid her as I walked in the park. She was like a hovering
representation of beauty, emanating from a brick wall. She looks Greek,
perhaps. She is not the only mural in town. Many of these painted areas
brighten up the street, and it brightens up the soul.
Cincinnati mural |
There is a wall of
vegetables. The function of this mural is not contemplative, as such, but it
signals healthy food, abundance, - am I turning contemplative again? Is all
interpretation, all suggestions of meaning ‘contemplative’? I do not think so.
Colours are in themselves cheerful.
Composition
in city landscape has a certain air of sculpture about them. The space between
Music Hall and the Golden Muse is a ‘sculptured’ area, in the way that there is
a clear connection between the two elements: the building and the mural. It is
a thematic connection, a resonating response. Between them is now a nice green
lung, Washington Park.
Music Hall in Cincinnati |
For centuries
murals have decorated internal space, particularly in great cathedrals. Frescos
may cover a large part of a wall, ceiling, and various niches. It is contained
inside the building, and the outer walls are like demarcation lines for the
sacred space.
I have wondered from time
to time if we as Christians, as a local congregation, took our sacred space and
time with us out of the building to share it in the open. Many of my fellow
villagers never go to church, but they do not mind the message of the Gospel. I
would love to have gatherings of believers, with song and liturgy, in the
public space! I would love to share our Christian faith, hope, and love more
visibly. Perhaps a mural of an outer wall would be able to bring some of that
to the passer-bys, as well? The message of peace with God is for all.
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